| Dyed in the Wool | |||||||||||||||||||||||||||||||
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| Those Colourful Canadians | |||||||||||||||||||||||||||||||
| In the early days, the yarns and homespun were dyed at home with natural dyes, but though they were attractive, they usually only lasted from wash to wash. Therefore, as part of the laundry process, many clothes would have to be re-dyed on a regular basis. In some communities there were professional dyers who would colour your yarn for a fee, but most of the faded calicoes and cottons, were restored at home. Commerical dyes were available as early as 1856, but not in common use until the 1870's. These dyes lasted longer, cutting down on the need for frequent restoration. |
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| Dying Vat | |||||||||||||||||||||||||||||||
| Among the natural dyes were onion skins for a soft yellow; the purple paper from loaf or cone sugar was saved to create slate, tea leaves were boiled in a rusty iron kettle for a drab, dull brown, suitable for small boys' breeches. Walnut shells gave a softer brown, and balm blossoms, a faded pink for little girls' bonnets. White maple created a light slate; lye and copper, a yellowish brown. This was one of the longest lasting dyes, and was recommended for the linings of bed quilts, comforters and petticoats. Old gowns were cut down to dress little girls and the adults' stockings were mended, cut down and re-dyed for the children. Alum was used to set the dyes, and I myself, have had some success with vinegar. |
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| However, a woman had to be careful not to dress too colourfully. Fashion Hints from the 1851, Ladies Indispensable Journal suggests that: " A vulgar girl wears bright and glaring colours, fantastically made; a large flaring, red, yellow, or sky-blue hat, covered with a rainbow of ribbons, and all the rings and trinkets she can load upon her . "Single ladies should dress less in fashionable society than married ones, and all more plainly and substantially for walking or travelling, than on other occasions." |
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| And from Our Deportment, printed in Paris, Ontario in 1883: "Colours that harmonize forming the most agreeable combinations, in which are included all the latest and most fashionable shades and colours: black, yellow, bronze and light blue; black and scarlet; blue and chestnut; blue, brown, crimson and gold; orange, black and white; green, gold and mulberry; lilac, scarlet and white or black." | |||||||||||||||||||||||||||||||
| Besides just colouring fabric and wool; throughout the Victorian Era; natural food colouring was used to make jams and jellies more enticing, or cake icing vibrant and eyecatching. Spinach juice was strained and bottled for green; indigo was used for blue; and red was usually beet juice. For flavourings, small bottles were filled with brandy; and then rose leaves added to one, orange or lemon peel to another, or peach leaves to create an even different taste. Peach pits would also be saved, dried and boiled in milk to flavour custard and some women even beat their batter with fresh peach twigs for added flavour. |
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